mbarker: (BrainUnderRepair)
[personal profile] mbarker
Original Posting 2021/3/12
Writer's Digest, December 1991, pages 30-33, had an article by David L. Carroll talking about style. He starts off by suggesting that of course, any professional's lifelong aim is to learn to write as well as you possibly can. At the same time, there are some shortcuts and tricks of the trade that can be useful. Then he provides descriptions of 14 of these "tricks." Here they are!

1. After making a strategic or dramatic point, move away from your subject for a moment, then return with sudden force. In other words, introduce the topic, then relax a moment with some other idea, and then come back to the original subject in a way that ties the two together.

2. Three ways to keep your reader emotionally involved: 1. Present a mystery, then unravel it in stages. 2. Create a situation of jeopardy than resolve it. 3. Identify a problem that readers are personally experiencing, then help them overcome it.

3. Use action to make a significant point. Show, don't tell. Dynamic imagery and motion!

4. Use a series of short sentences to build tension. Usually at a moment of tense action, short sentences with strong verbs adds intensity and builds drama.

5. Be careful using the dash. It's powerful, but don't overdo it.

6. Vary the lengths of your sentences and paragraphs. Mix it up.

7. When you're stuck for the right way to say it, try… Sometimes you need to use a grammatical device such as asking a question, giving a command, a quotation, a different subject, different punctuation, a joke, get personal with the reader, examples, emotions, an anecdote, a list, facts,…

8. Shift emotional directions in the middle of a sentence. "Sudden emotional changes can be stimulating to readers if done properly."

9. Introduce a string of short, descriptive words and phrases to make an emphatic point. Short sentences with strong adjectives and images might do the trick.

10. Avoid unnecessary connectives. Watch out for those transition words.

11. Don't weaken your prose with too many unnecessary adverbial qualifiers.

12. Use intentional redundancy on occasion. Sometimes, repeat yourself.

13. Make your sentences rise to a climax; let them reveal their most significant information at the end.

14. Use grace notes. Little asides and action that add humor or emotional color can make your story better.

There you go. Some little tricks you might consider while writing, or while revising.

[identity profile] mbarker.livejournal.com
Original Posting 27 March 2011

Before I forget, let's see... For the next two weeks (that would be aiming at April 10, right?), how about we toss in a few possible topics? Here, try these:

1. An old painter. Your choice on gender, whether the paintings or the person or the subjects or something else is old (and just how old is old, anyway? I'll bet teenagers have a slightly different viewpoint than those of us who have passed our first half century, somehow. Don't trust anyone over... 80? Nah, it doesn't have the same ring to it as back in the days when anyone over 30 was over-the-hill...). Anyway, an old painter (house, oil, water, or whatever?).

2. A cat. Kitty, kitty, kitty? Something of the feline persuasion (yes, if you want to throw in Catwoman, that's your business). Big cat, little kitty, whatever, add some whiskers to your tale.

Bubble, boil, toil and trouble?

3. I can't decide. Power failure or April Fool's? Okay, take your pick (that's a sneaky way to get 4 topics in, isn't it?). Anyway, the day that things went off (where were they? Was it night or day? How long did the power stay off? What happened...) OR that day when practical jokers often go straight, to avoid being confused with the flood of April Fools jokes. Spin your bottle and pick one of these!

Stir your pot, dance around, and let the power of the word move you right along, okay? When shall we three meet again? In thunder, lightning or in pouring rain? Fair is... ah, that's a twice-told tale, isn't it? Still pretty good, though.

So, an old painter, a cat, and either power failure or April Fool's. And a story, limerick, wild essay, tale from the cryptic persona, or whatever makes you...

WRITE!
[identity profile] mbarker.livejournal.com
Original Posting 11 March 2011 (as part of a campaign to drum up more submissions to the Writers List)

Ha! You thought I'd forgotten, in the midst of earthquake, flood, and fire? No, no, I remembered.

Okay. The target is Sunday, March 27. You can post before that, but let's try to get at least one story (or other work) written by then, okay? That means written and submitted right here, actually, since we're promoting the elusive subs.

Topic, if you want to try it? How about these three things?

Twins. I was actually watching a pair of young women who sing together when I thought of this, but you're welcome to make your twins anything that works for you. Or even have one twin.

Falling from churches. I was thinking of the Christchurch, New Zealand, church which has turned up on our news several times, and the steeple that had fallen. But you can have literal collapse like that, you can do metaphorical falling, or whatever twists your interest.

And, for a bit of whimsy, how about country music? Or whatever genre you like, delivered in your preferred way (does anyone still listen to AM radio? bzzt-click-sputter...).

Okay? Twins, falling from churches, and country music. Mix, match, twist to your heart's delight.

And write!

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