[identity profile] mbarker.livejournal.com
Originally posted 31 August 2010

Over here, http://www.writersdigest.com/article/4-story-structures-that-dominate-novels/ there's an article by Orson Scott Card talking about "The Four Story Structures That Dominate Novels." Basically, Card suggests that there are four elements that help determine the structure of our stories. While every story has some of each, usually one dominates.

What are the four elements? Milieu, idea, character, and event (MICE). And what are the structures or implications for the story?

Structure one, milieu. This is a fancy term for the world -- the planet, society, weather, etc. The usual structure is very simple "An observer who sees things the way we?d see them gets to the strange place, observes things that interest him, is transformed by what he sees, and then comes back a new person."

So the story begins when the character arrives in a new place, and ends when the character leaves.

Structure two, idea. "Idea stories are about the process of seeking and discovering new information through the eyes of characters who are driven to make the discoveries. The structure is very simple: The idea story begins by raising a question; it ends when the question is answered."

Card points out that most mysteries follow this structure. The story begins with a crime. The question is who did it and why? The story ends when the identity and motive are revealed.

Structure three, character. Character stories are about transformation of a character's role in communities that are important to the character. They're about who a character is. The story begins when the main character breaks out of one role and begins the process of change. It ends when the character finds a new role or sometimes settles back into the old one.

Structure four, event. Something is wrong with the world. Someone steps up to struggle with that. And when they change the world, it ends.

So simple, and yet... having MICE in your stories can help?

As an exercise, you might look at some of your favorite stories. Which of the four do they emphasize? What about your own writing? Which do you prefer?

Who moved the cheese?
[identity profile] mbarker.livejournal.com
Original posting 14 Dec 2007

I first read Ender's Game by Orson Scott Card quite a few years ago. Recently, through a strange concatenation of circumstances, a new hardback copy passed through my hands. I sent it on to a friend, but while it was here, I took a quick look and found that Card had added an introduction! Rather interesting . . . a couple of quotes that I found particularly resonant.
p. xiv  "I learned -- from actors and from audiences -- how to shape a scene, how to build tension, and -- above all -- the necessity of being harsh with your own material, excising or rewriting anything that doesn't work. I learned to separate the story from the writing, probably the most important thing that any storyteller has to learn -- that there are a thousand right ways to tell a story, and ten million wrong ones, and you're a lot more likely to find one of the latter than the former your first time through the tale."

p. xxi "This is the essence of the transaction between storyteller and audience. The 'true' story is not the one that exists in my mind; it is certainly not the written words on the bound paper that you hold in your hands. The story in my mind is nothing but a hope; the text of the story is the tool I created in order to try to make that hope a reality. The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears."
Separate the story from the writing, and learn about rewriting to find the right way to tell a story.

And don't imagine that you are writing a story alone - it is a cooperative effort between the storyteller and the audience.

Words to write by, perhaps?

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