[identity profile] mbarker.livejournal.com
Original posting 12 June 2009

Writers' Digest, October 2004, pages 26 to 33, has a collection of short "nuggets of wisdom" related to getting published. Maria Schneider is the author of the compilation. Take a deep breath, and here we go:
"If you're a storyteller, realize that you're entitled to an array of techniques that will give your story more force -- techniques that taken together might be called 'word craft.' Commercial novelists too often water down their work with unoriginal phrases. They forget about parallelism, reversals and symbols, perhaps feeling that these are OK for the literature taught in high school English classes, but not useful if you want to make a buck. Nonsense. Turn up the sensitivity on your mental cliche meter. Become more artful with the structure of your scenes. Your novels will have a bigger wallop, and so will your wallet." Donald Maass
It's a rich, vibrant field of craft and art. There's more tricks in that literary bag than are thought of in your philosophy, and similar modulations of the message, my friends. From the poets, from the literary theorists, from the historians and the grand roll of the literary scroll -- you can use any of them that works for you! Don't be afraid to put a little extra polish on that spin. Worst case, you try it, read it again, decide it doesn't quite do what you want, and you rip it out again. You control the vertical, you control the horizontal... your readers have just entered YOUR WRITING ZONE!

So feel free to use the craft and the art of the literary world. It's all a part of your tool kit.
[identity profile] mbarker.livejournal.com
Original posting 26 December 2007

Genre Tips for Plot and Structure (28)

It's beginning to look a lot like a plot, all around the scenes?

Anyway, before we torture any other old songs with words of writing, let's get to Plot & Structure by James Scott Bell, shall we? Along about page 218 in chapter 14 where Bell gives various tips. Perhaps the most important is the two-fold injunction to know the chosen genre's conventions and always add something fresh. Good advice for all genres!

Mystery. First bit of advice is the suggestion to start with the scene of the crime and plot backwards from that. Take one killer, a good strong motive, and the murder or crime that gets committed. Then work out from that what clues need to be planted in the plot and what other suspects, distractions, etc. will keep the readers guessing.

Thriller. Often like a mystery, but where the mystery is a puzzle or maze full of clues, the thriller is a narrowing chase towards a climactic confrontation. Probably easiest to start with that scene, then plot and write towards that. Make sure your opposition has a good solid motive throughout, too!

Literary. Mood, texture, impressions -  that's the literary goal. So think about resonances, images that will stick to your readers' minds.

Romance. Think about all the things that might keep two lovers apart. Frustration can be good for romance, so pile it on!

Science-fiction and Fantasy. The joy and danger of these genres is the ease with which the writer can change the rules. So don't do it! Establish your world and keep it naturally woven into the story. Make sure there's a real story there, beyond just speculative visions.

Bell cites Brenda Ueland's book "If You Want to Write" where Brenda asserts, "Everybody is talented, original and has something important to say . . . Everybody is original, if he tells the truth, if he speaks from himself."

Plot and structure are tools you use to connect with your readers, but you will be pouring yourself out in the story, that's what makes it unique. So start pouring.

That about does it for Plot & Structure. There's an appendix where Bell summarizes the key points in five pages, and another appendix with a four-step kickstart based around writing the backcover description first, but maybe we'll leave those for purchasers of the book. Right now, it's almost time to start thinking about a story a week!

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