[identity profile] mbarker.livejournal.com
Original posting Nov 8 2010

Yesterday was not a particularly productive day for me in terms of straight words for nanowrimo. On the other hand, since I was having trouble concentrating between my wife's volleyball game on television that she likes to insist I look at just for a moment, my continuing battle with my sinuses, and I suspect a bit of self pampering (darn it, it's Sunday, tomorrow I have to look at those student papers, why can't I relax a bit?) ... anyway, with all that going on, I took a step back and spent some time trying to lay out some other scenarios for the future writing. I was doing these in kind of rough bullet format, just a phrase or sentence or two describing what might happen. Also taking a look at the opposition, and considering just what kind of trouble it might raise. Admittedly, this is not direct narrative writing, looking over a character's shoulder at the scene, describing action, setting down dialogue, and all that.

However, I find that I need this kind of rough framework to be very effective at the other stuff. Somehow having a stack of pre-cut scenes in rough form like this lets me focus more on the scene that I'm actually writing right now. It also gives me more traction when I finish a scene -- I can just look at the bullet list and pick up another chunk to work on, instead of spending a while musing on what to do next. Not an outline, nowhere near that level of detail, but just some bullets about what might happen. Some are at the level of "The agents arrive in town" while others have a little more detail about what happens. But they are all just a couple of sentences, waiting for more attention later.

Still, I simply wrote them into the running text that I've been working on. And I counted those words on my nanowrimo total, because I really do think they are part of my writing process. Admittedly, they really need to disappear before the final editing -- each and every one of them needs to be expanded into at the very least one scene, and sometimes more. But getting the ideas started in this kind of bullet list of possibilities, in words, seems to me to be part of the writing. So I count it.

Aha! Over here on the aging nanowrimo notes http://community.livejournal.com/writercises/142578.html I talked about doing this kind of thing at the end of every writing session, putting down some notes about where you are and what you going to do next. Also, when you remember that you need to go back and straighten something out, add foreshadowing, or maybe work on some other pieces later on, make a note! I think one of the dangers of writing is trying to keep it all in our head. Except for short stories, and I'm not even sure about most of them, there's probably more there than we actually can keep in our head. And we have this wonderful trick -- write it down.

So that's today's advice for the nanowrimowers -- write it down. Don't depend on the little grey cells to hold onto that idea, question, point to consider, direction to explore, or whatever. Put it down in black and white, on paper, in a file, somewhere. And for the bonus, you can more easily look across that list for the purposes of rearrangement, selection, or whatever. Okay? Or if you happen to be pausing, put down some bullet points for later expansion. What might happen next? And after that? Wow, there's a chase scene somewhere ahead? Keep that in mind by putting it in the list. So...

WRITE!
[identity profile] mbarker.livejournal.com
Original posting 11 February 2009

Keeping the Reader on the Edge of the Page

Writer's Digest, January 2006, pages 30 to 33, has an article by Susan DeLay with the title "I Couldn't Put It Down!" Here four literary agents suggest how to make your story a page turner. "Transforming characters into real people can make the difference between a so-so novel and a page turner."

So what are the marks of a page turner?
  • employs conflict, tension, and high drama
  • has memorable characters
  • generates an emotional response in readers
  • tells a great story
There's a lot of quotes from the four agents. For example, in answer to the question, "what makes a book a page turner?" they responded:
  • "a book that keeps the reader 'hooked'... the writer must create an exciting world where readers can easily lose themselves."
  • "a page turner is a book I'll talk about to anyone who'll listen."
  • "page turners have inwardly conflicted characters and layered, woven plots that build novels with memorable depth and power."
  • "it's an interesting story told at a brisk pace with great dialogue and action, unresolved conflict, plot twists and fascinating characters placed in tense situations."
They also asked and answered the questions, "how can a writer take his book to the heights of a page turner?", "how can a writer create memorable characters?", and "how can a writer take the reader on an emotional roller coaster?" The sidebars suggest

Six ways to raise the stakes:
  1. Give your protagonist insurmountable odds. Let him face a problem at every turn.
  2. Add a time deadline. The protagonist has to solve a problem but in a very specific period of time, or else.
  3. End chapters with a cliffhanger that will pull readers into the next chapter.
  4. Crank up the tension in small ways. Is your character driving? Make it at night -- on a lonely, isolated highway -- in a blinding rainstorm.
  5. Keep track of what's going on with the antagonist. If the readers know the hero's in danger, they'll hold their breath.
  6. Keep things moving. If nothing is happening, your reader may nod off, or worse -- stop turning the pages and put down the book.
Six ways to create memorable characters:
  1. Know your character inside and out. Forget the adage, "know thyself." Instead, "Know thy character."
  2. Make your characters interesting, larger-than-life. Let your readers live vicariously through your characters.
  3. Make the reader care about your character. Make the reader wonder if the character will ever overcome his impossible circumstances.
  4. Make sure the character cares passionately about what's happening. Give her emotions. If she doesn't care, why should the reader?
  5. Give your protagonist a weakness -- a fatal flaw. Everyone has one, including your reader. It will help the reader identify, and as a result they'll care more about what happens.
  6. Base your character on a real person, not just a mystery individual you invented.
And since there's no sidebar about an emotional roller coaster, here are some quotes:
  • "When the readers are wrapped up in the lives of the characters, it creates an emotional bond and they'll care more about what happens."
  • "If you have something compelling to say and work hard to hone your craft, then I believe readers will be able to fuel your passion and power. Once the reader is passionate about what you've written, you're more than halfway there."
  • "The best way to entangle the reader in your story and get her emotionally involved is to raise the stakes of your character on a personal level. The main problem for your protagonist should be relatively obvious. What can make the problem matter more? That's where you get to the guts of your hero or heroine. Getting inside the point-of-view character's head gives readers a chance to connect emotionally."
  • "I love to pick up a novel and feel changed by it. For that matter I like to pick up a novel and feel anything. Too many novels don't move me toward knowledge, emotion or growth. I think every agent is on the lookout for the 'wow' moment, when your work smacks them as fresh, fun, well crafted and moving."
So . . . make it grab the reader, raise the stakes, add memorable characters, and take the reader on an emotional rollercoaster ride. Hum, sounds like fun?

Exercise? Take your work in progress, and look at the various checkpoints listed. How about it? Do you need to raise the stakes? Make the characters a little more memorable? And . . . is that dip in the tracks ready for the emotional crash?

Write!

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