[identity profile] mbarker.livejournal.com
original posting 5 July 2011

The April, 1992, issue of the Writer, had an article on pages 15 to 17 with the title, "Plotting from A to Z" by William F. Nolan, the author of Logan's Run and other books. It starts out...
"Plot has a double purpose in fiction. Actively, is the driving force of any story or novel... Passively, it's the spine of a story, the structure around which the story is told."

"A strong, surprising plot is essential if you are to capture and hold readers. The plot must keep them engaged and draw them deeper and deeper into the narrative."
So the plot's the thing within which we'll capture the readers... With apologies to Shakespeare.
Mulligan stew )
[identity profile] mbarker.livejournal.com
original posting 15 June 2011

This is probably one of the more controversial chapters in Blake Snyder's book. Pages 21 to 45 talk about the problem of avoiding cliche while embracing it, and gives you a set of 10 categories to use or abuse. Part of Blake Snyder's point here is that to make great movies (or great novels, great whatevers) you really have to know what's already been done -- and take advantage of it, with a twist. To avoid the cliche, you have to know what the cliche is.

So he starts out by suggesting that once you've got your one line and your title that you've tried out on friends and strangers, the next step is to figure out what your story is like. And, being the generous guy that he is, he suggests 10 categories (or genres) to get you started. Now these aren't things like romantic comedy, because it's hard to figure out what those stories are. Instead, here's the 10 that Blake Snyder suggests you try:
1. Monster in the house. One monster, one house. Will they escape?
2. Golden fleece. The quest, where the hero discovers himself.
3. Out of the bottle. Wishes? I wish I had a... And then what happens?
4. Dude with the problem. Ordinary guy, extraordinary circumstances. Big problems.
5. Rites of passage. Changes. Victory through experience.
6. Buddy love. Walk with me (love stories in disguise!)
7. Whydunit. Evil lurks in the hearts of men -- why?
8. The fool triumphant. Underdog bites establishment bad guy.
9. Institutionalized. Who will win, the group, or the individual?
10. Superhero. Extraordinary person, ordinary world.
Now in the book, he gives examples. Some of them are a little bit surprising! Buddy movies are love stories? Anyway...

Blake Snyder points out that quite a few movies are practically step by step (beat for beat) identical. Story templates work.

"The point I'm trying to get across here is -- it works. And it works for a reason. Because the laws of physics that govern storytelling work every time, in every situation. Your job is to learn why it works and how these story called fit together. When it seems like you're stealing -- don't. When it feels like a cliche -- give it a twist.... The rules are there for a reason. Once you get over feeling confined by these rules, you'll be amazed at how freeing they are." (p. 42)

A lot of people take one look at the categories and start trying to find exceptions. That's not really the point. The point is that these categories can help you tell stories. That's all. What is your story most like? Learn the language, rhythm, and goals of these categories. Use them to make your story stronger. Sure, most of these have roots all the way back in Greece and Rome and ancient fairytales. So what? Honor the traditions, and tell your own story.

Exercises next!
[identity profile] mbarker.livejournal.com
Original posting 1 December 2008

[Fair warnng -- I'm likely to be a bit hit-or-miss this week -- I'm at a conference in China, and I'm supposed to have a chapter ready for a book next week -- software engineering stuff, but I do need to put some time in. So if I seem to be somewhat scarcer than usual, that's probably it. Later!]

Slip sliding away

The other day I ended up in one of these situations that I get caught in from time to time. You see, the students were giving their final presentations, so from one o'clock to five o'clock -- four hours -- I was sitting in the middle of a number of Japanese colleagues, listening to Japanese students rattle on in Japanese. I wasn't really expected to ask questions, understand, or even stay awake, really, although I do tend to try to look somewhat interested. At least I stayed awake -- not everyone around me did that, even.

Anyway, one of my tricks for this is mental puzzles. In particular, this time, I picked a fallacy ahead of time, and thought about various situations or twists on the fallacy. This time it was a slippery slope fallacy -- the notion that having taken a step in this direction, we are automatically committed to going too far, tumbling down the slippery slope into the abyss.

Some of the twists and turns that I thought about include:

-- when the weeds start to crowd the pond, it's already too late -- so kill them early and all.
-- when the snowball hits the slope, the avalanche won't stop.
-- fairness versus special cases and situational awareness: if we do something for one case, must we do it for everyone?
-- anti-slippery slope: even after the most energetic strike, the pins stop bouncing eventually.
-- positive feedback cycles always grow to the limits of their environment, and then die from destroying it.
-- once you let a fuse, it's hard to put out the fire, forest fire, explosion
-- providing atmosphere to one crew member usually means letting everyone catch their breath

Not all the best, and not even all of the variations that I can come up with, but I find having this kind of a mental puzzle in hand can be useful when I run into the ceremonial meeting madness.

Who knows, maybe you will too. There are plenty of fallacies to play with, and we certainly need to think about the various ways that we express these fallacies. Philosophers, critical thinkers, and other such folks so often seem to use very drab descriptions, or Latin names. Ad Hominem? Do you get that with bacon and eggs? No? Okay, how about calling it a smear attack? And how many different ways do we mix up personality, individual history and actions, and other such irrelevancies with a person's claim or argument?
[identity profile] mbarker.livejournal.com
The Handsome Suit

This was one of the movies on the flight. I didn't watch it, but the blurb in the movie guide was:
"In this comedy-drama, a homely restaurant chef/owner finds a magical suit that makes the wearer more attractive ("Handsome Suit") and hopes it will improve his chances with the object of his affections."
I did get to pondering that description. My somewhat garbled notes hint...

I think I've heard that story before? Someone wanted a white suit, I think. And as for aids for love -- I'll bet there's a recipe for that somewhere in the cave paintings along with some tales about how it goes wrong!

What's the underlying story?
A wants something (affection!)
A looks for help -- some artificial aid -- and finds X
Should A use X? Does X really help? What happens if the object of the exercise finds out? And so on...
Possible aids? Twist and turn
Magic objects -- suit, shoes, etc.
wig, makeup, clothes, jewelry
Car, house, boat, etc.
pheromone perfume
love potion
Cyrano gag - adviser
Pet
machine
restaurant
"e-puppet" digital avatar
Resolutions?
Learn to trust self -- honesty is the best policy
B goes away, with aid? -- speak for yourself
What's the cost? Blackmail, addiction -- some things cost too much
Taking off training wheels -- Doing it yourself may be scary, but that's when you fly
Everyone does it -- No they don't
Fake aid -- cheated, but a placebo is better than nothing
What's she doing? -- two can play at this game
What fun! There's a stack of stories waiting to be told. Twist that movie summary, paste in your characters and setting, and let the words roll. Come on, I'll bet you have a really fun version of this lurking right there in the grey cells just waiting to get out. So set it free.

Write!
tink
and when the Saints come marching in . . .
[identity profile] mbarker.livejournal.com
Slip sliding away

The other day I ended up in one of these situations that I get caught in from time to time. You see, the students were giving their final presentations, so from one o'clock to five o'clock -- four hours -- I was sitting in the middle of a number of Japanese colleagues, listening to Japanese students rattle on in Japanese. I wasn't really expected to ask questions, understand, or even stay awake, really, although I do tend to try to look somewhat interested. At least I stayed awake -- not everyone around me did that, even.

Anyway, one of my tricks for this is mental puzzles. In particular, this time, I picked a fallacy ahead of time, and thought about various situations or twists on the fallacy. This time it was a slippery slope fallacy -- the notion that having taken a step in this direction, we are automatically committed to going too far, tumbling down the slippery slope into the abyss.

Some of the twists and turns that I thought about include:
  • when the weeds start to crowd the pond, it's already too late -- so kill them early and all.
  • when the snowball hits the slope, the avalanche won't stop.
  • fairness versus special cases and situational awareness: if we do something for one case, must we do it for everyone?
  • anti-slippery slope: even after the most energetic strike, the pins stop bouncing eventually.
  • positive feedback cycles always grow to the limits of their environment, and then die from destroying it.
  • once you've lit a fuse, it's hard to put out the fire, forest fire, explosion
  • providing atmosphere to one crew member usually means letting everyone catch their breath
Not all the best, and not even all of the variations that I can come up with, but I find having this kind of a mental puzzle in hand can be useful when I run into the ceremonial meeting madness.

Who knows, maybe you will too. There are plenty of fallacies to play with, and we certainly need to think about the various ways that we express these fallacies. Philosophers, critical thinkers, and other such folks so often seem to use very drab descriptions, or Latin names. Ad Hominem? Do you get that with bacon and eggs? No? Okay, how about calling it a smear attack? And how many different ways do we mix up personality, individual history and actions, and other such irrelevancies with a person's claim or argument?

rocking around the clock, even around in twists!

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