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Original Posting 5/27/2019
Writer's Digest, January 1994, on pages 44-46 has an article by Hal Blythe and Charlie Sweet talking about anecdotes. As the subtitle says, "Anecdotes told by one character to another are an effective means of accomplishing a host of storytelling objectives."
They start out by recounting part of Jaws, when Robert Shaw and Richard Dreyfuss are waiting for the great white shark to attack, and Shaw tells a war story. Even while it lets us the viewers catch our breath, it adds to the tension. Now, having characters tell anecdotes to other characters is fairly common in stories, on paper, stage, and movies. So, how can you add this tool to your toolbox? Why would you want to? Well, it at least provides variety, right? But it also has a number of other advantages.
First, it helps you deliver information. Sure, writers may get away with infodumping, but playwrights and others usually dramatize information. Even little stories about other characters can help with this.
Second, anecdotes are engaging for the audience! Show, right? Well, anecdotes make things very clear. "In short, the more your audience can picture what's happening (instead of trying to decipher abstractions), and the more they wonder about what's going on, the more involved though be in your story." Simple, right?
Third, anecdotes often are used to illustrate themes. "An effective means of simplifying a difficult concept is to create a narrative that dramatizes your story's major insights." These anecdotes "translate complex ideas into more easily understood situations, characters, and actions."
Fourth, anecdotes can deepen characterization. Readers need insight into characters, and a well constructed anecdote can give them that insight. Often, they can explain motivation.
Fifth, anecdotes can save words. You can accomplish multiple goals. Exposition, engaging the audience, characterization, and theme? All in a short anecdote.
So, what if you wanted to let your audience in on a character's motivation for a dream? Well, you could just describe it, perhaps in a flashback. But you want to emphasize it, so, think about dramatizing it. When one character tells another character about something, that anecdote gets a little extra polish. They provide an example in their article. Engagement, exposition, theme, characterization, all compressed into a few words. Not bad!
Now, to make the-story-within-the-story most effective, use it sparingly. If a short story has four or five anecdotes, people are likely to notice. You can vary the presentation, picking a different speaker and listener, and maybe changing the length. Remember that the anecdotes don't have to be autobiographical every time, for that matter, they don't have to be about humans. The old stories about animals may be just the right anecdote for your story. Do try to have your anecdotes serve multiple functions. It's not just content. "The fact that a character chooses to tell a story, how he relates it, and to whom he tells it can all divulge something about the teller."
So, kind of like the cream filling in an Oreo, think about adding a-story-within-a-story, an anecdote, to your story! Where can it add just the right touch?
tink