[identity profile] mbarker.livejournal.com
Original Posting 8 June 2011

Here's another one from Blake Snyder.

FBI out of water.

"This works for comedy or drama. Name five places that an FBI agent in the movies has never been sent to solve a crime. Example: "Stop or I'll baste!": Slob FBI agent is sent undercover to a Provence Cooking School."

Of course, you can twist this several other ways. The SEAL sent to a kindergarten... Well, that's almost been done. Anyway, pick your character such as an FBI agent, then think of unusual places that they might have to go. Simple, right?

So, write!
[identity profile] mbarker.livejournal.com
Original posting 24 March 2010

Jim Hines wondered about the actual truth of breaking in as a novelist, and instead of just offering up his anecdote, did a survey of published novelists. Now, you might quibble about the methodology and what not, but there's still a pile of interesting information. So... go to

http://www.sfnovelists.com/2010/03/24/first-pro-novel-survey-results/

and then follow the links to the various results. Helps put data behind such questions as:
  • Do short stories help publication? (116 of 246 sold their first novel without short fiction sales)
  • What about self-publishing and publication? (The main path is submitting to agent, who sells to publisher. Second most popular is submit to publisher.)
  • Are writers overnight successes? (Average is about 11-12 years. Median/mode 10 years. Overnight? Not exactly.)
  • Do you have to know somebody? (140 of 246 sold without connection to agent or publisher.)
Go ahead. Find out what's really behind those authors getting published.

Then decide what your goal is in writing. And if you want to get published, now you've got some information about what it takes.
[identity profile] mbarker.livejournal.com
Original posting Fri, 20 Aug 1993 18:00:04 JST

From "On Writing Science Fiction" by George H. Scithers, Darrell Schweitzer, and John M. Ford, Owlswick Press, 1981. p.7
"What are your chances of actually being published?..."
"If you write prose that is at all competent, if your ideas show any novelty, your characters any believability, your backgrounds any color, then your chances are very good indeed, because you will be better than 90 to 99 percent of the people who think they are writers. Any writer of good science fiction will have no difficulty selling virtually all the material he can create."
Who are these people, daring to contradict the folk wisdom that selling fiction is hard, and the chances slim?

The subtitle of the book is "The Editors Strike Back." These are working editors, who I suspect know what they are seeing... Further, while they refer specifically to SF, I suspect the same is true in every writing arena (except, possibly, poetry...).

So - write, finish, and submit. Those editors are waiting for competent work, let alone the sparkling wonders we have around here...

(sorry, gotta get back to work on my next potboiler...:-)

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