mbarker: (MantisYes)
[personal profile] mbarker
Original Posting 2021/12/16
Writer's Digest, July 1991, pages 38-39, has an article by Chet Cunningham with that title. It's broken into 14 little chunks, mostly with titles that summarize the points. So, let's walk through his ideas.

1. Want to write novels more than anything else in the world. Unstoppable! You gotta want to do it!
2. Create characters you can't stop writing about. Make them people you really know. He says he uses a big questionnaire to work through each of the main characters, including physical description, psychology, work, hobbies, dreams, etc. Make sure you know your characters!
3. Finish your first novel. Then keep on doing it.
4. Aim at a specific market. Probably not a "mainstream novel." Hit the genres. His idea -- pick the one you like, and read 20 contemporary novels in that genre. Take them apart. What's the story line, how does the writer make it work, what is the pitch. Check characterization, style, structure, viewpoint, suspense, twists... 
5. Specialize. Don't jump around, at least to start. Stick to one genre, build a byline. This also lets you reuse your research!
6. Write what editors buy. (hum, this may not be as much of a problem with indy publishing?) Anyway, he suggests analyzing what's on the bookstore shelves to see what the editors bought a year ago. Check the magazines that survey the marketplace (Publishers Weekly, Writer's Digest). Then plan your book for a specific publisher and a specific line.
7. Write series books. Continuing series do great in genre. One great character, one slant or idea, and push out that series.
8. Sell your books with partials. After you have a track record, sell new ones with a partial. 4 chapters and an outline of the rest of the book. 
9. Keep the pipeline full. While you are writing current books, send out queries for new books and new series.
10. Write more than you do now. If you do your daily quota, and there's time left... do some more! Write every day. Focus on writing, and keep that writing time first.
11. Have a work space where you write. Try to do your writing (and only your writing) in one place. Write, plan, plot, research. That's your work place.
12. Set a writing schedule. Lay out your calendar, including research and rests.
13. Join a novel writing workshop. Writing group interaction helps you and them. 
14. Enjoy the hell out of your writing. "Writing is the most wonderful and thrilling and satisfying job in the world." So enjoy it!
Write! 
[identity profile] mbarker.livejournal.com
Original posting 24 March 2010

Jim Hines wondered about the actual truth of breaking in as a novelist, and instead of just offering up his anecdote, did a survey of published novelists. Now, you might quibble about the methodology and what not, but there's still a pile of interesting information. So... go to

http://www.sfnovelists.com/2010/03/24/first-pro-novel-survey-results/

and then follow the links to the various results. Helps put data behind such questions as:
  • Do short stories help publication? (116 of 246 sold their first novel without short fiction sales)
  • What about self-publishing and publication? (The main path is submitting to agent, who sells to publisher. Second most popular is submit to publisher.)
  • Are writers overnight successes? (Average is about 11-12 years. Median/mode 10 years. Overnight? Not exactly.)
  • Do you have to know somebody? (140 of 246 sold without connection to agent or publisher.)
Go ahead. Find out what's really behind those authors getting published.

Then decide what your goal is in writing. And if you want to get published, now you've got some information about what it takes.
[identity profile] mbarker.livejournal.com
Original Posting 2 Dec 2009

Writers Digest, February 2008, pages 40, 44, and 45, article by Marie Lamba with the title, "Plotting a Novel Group." Lamba discusses a writing group aimed at novelists. Some of the points include:

1. The characters. Group size limited to six or seven members, to allow participants plenty of time to read and comment. Restricted to serious novelists. In their case, they did not restrict the type of novel to a particular genre. They use submissions, and trial memberships to check out possible new members. Also, members are given written rules about attendance, critiquing, and contributions.

2. Structure. Because novelists need to make longer submissions, which require more time to read and discuss, this group meets once a month for 2 1/2 hours, to cover two writers. One hour for one manuscript, half-hour open discussion, and one hour for the other manuscript. Submissions are 50 to 100 pages long, handed out at the previous meeting. The schedule is set four to five months ahead.

3. Good dialogue. To keep the critiques focused, they use a critique guideline. It includes points such as:

-- Subplots: do we care? Do they intertwine with and enhance the main plot?
-- Is there an image system in the piece? Does it develop?
-- Is there foreshadowing? Does it hold the reader captive until the denouement?
-- Is there continuity throughout the chapters? Does it feel all of a piece?
-- Climax: where is it? What's the arc of the story?
-- Was the reader promised something? Was it delivered?

When a novel has gone through much of the critiquing process, they do allow submission of an entire manuscript for review. When they do this, the entire next meeting is dedicated to that novel

4. Points of view. The key here is that the group supports all the members.

Like most things in life, you can try to do it all by yourself. But writing a novel is a little bit easier with some friends. So think about forming a novel group.

Profile

The Place For My Writers Notes

February 2025

S M T W T F S
      1
2 345 6 7 8
910 11121314 15
161718192021 22
232425262728 

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jan. 2nd, 2026 11:39 pm
Powered by Dreamwidth Studios