[identity profile] mbarker.livejournal.com
Original posting 5 May 2010

or maybe exercise?

Monomane -- comic imitation -- is very popular in Japan now. The man who almost single-handedly instigated the boom in it is called kuroke (pronounced more like the food -- croquette?), but another one was on TV today talking to a group of school children. He gave them three exercises to do, for ten days, and then came back to see how they had done. You might try these, yourself.

1. Imitation repertoire -- look around, and pick something. Now imitate that thing, especially the sound, but also perhaps mannerism. As he explained, you build your imitation repertoire one item at a time, and usually pick out and exaggerate some sound or mannerism from that thing. He gave the example of a cicada -- what's the sound it makes? Kind of a shshsh through your teeth? But it gets bigger and smaller -- so move your lips while whooshing, and there you go...

2. imitation play -- take everyday objects, and let your imagination turn them into other things. As he said, sometimes you have to look from the side to do this, and take two or three looks, but see what you can turn them into. His example was a vacuum cleaner... which became a metal detector as he held it, adding sound effects, and finding a coin with it.

3. Your happiness list -- every day for ten days, write down the most exciting, happy point of the day. Just one point. Something nice happens to you every day -- make a list!

When they came back, the kids showed the results. One showed how an ordinary chair became an old person's push cart, complete with slow, hesitant walk. Another showed how a pencil sharpener became an organ grinder's music box. And so on...

The kids said the happiness lists were fun -- at first, it seemed hard to find something each day, but then they started having too many things each day, and had to pick. Apparently paying attention to happiness and fun and excitement makes it grow!

So -- give yourself a chance. Even in writing, pick out something and imitate it. How can you make us feel the sound of a waterfall -- in writing? Or what about showing us the dashing happy run of a dog across the lawn? Then consider how you might use something as a simile or metaphor, turning it into something else for your reader's mental stimulation? Finally, just for fun, consider writing one short piece about something nice that happened to you today. What happened? How did it make you feel? Can you show other people that feeling of happiness and joy through your writing?

Go ahead. Imitation is the finest flattery, and sometimes it's writing, too.
[identity profile] mbarker.livejournal.com
Original posting: Tue, 19 Sep 2000 20:31:00 -0400

Recently, I saw a plaque that consisted of four relatively short chunks of writing (I hesitate to call them poetic, although others might).

The first consisted of several statements about "Life as a rainbow."  The second talked about "life as an unsung song."  Then it ended with two simple lines:
"the beauty of a rainbow may be contemplated in solitude.
The mystery of a song begs to be shared."
I think of this as basically two extended similes (Life is like a cracker, crispy on the outside, dry on the inside, and crunchy when broken...) and then a pair of metaphorical implications (a cracker tastes better with salt [and the silent echoing thought about whether a life also needs a little salt])

Hokay?

So, your job:

1.  Pick two little bits of reality (rainbow, song, tree, pebble, river, hurricane, etc.)
2.  Pick a general thing (life, love, peace of mind, justice, etc.)
3.  Stretch those similes!  Make lists of characteristics of the reality chunks.  You might make a list of the characteristics of the abstraction, too.  Mix and match, compare and contrast, and pick out the ones that really feel powerful.
4.  Arrange into two extended similes and a pair of observations.
5.  Polish, tighten, and make the words twinkle.

Write!
[identity profile] mbarker.livejournal.com
Original posting: Mon, 27 Aug 2001 20:49:00 -0400

Here we go...

Writing is like sewing empty garments.

Go ahead, explore that relationship, expand that metaphor, ssssssssssssstretch those words!
[identity profile] mbarker.livejournal.com
Original posting: Wed, 05 Sep 2001 20:36:00 -0400

A bad plot is like having an umbrella jammed down your throat, and opened there, and pulled out open, so that the broken ribs lacerate your lungs, and being beaten over the head with the handle.

(with recognition for Don Marquis, for this fine simile for unpleasantness)

A bad plot... I'm sure you've read a book (or even two!) that made you want to throw it across the room, or at least made you wonder what kind of @#$@W% let that be published?

So what do you compare a bad plot to?

Or even, what are the hallmarks of a bad plot?
[identity profile] mbarker.livejournal.com
original posting: Mon, 19 Nov 2001 13:47:58 -0500

Okay, let's try this...

"Lit up like a whorehouse on Saturday night."  Loren D. Estleman, quoted in Falser than a Weeping Crocodile and other similes by Elyse Sommer and Mike Sommer.

There's a fine phrase, talking about something being lit up.  But since we're stretching our writing muscles, let's consider two things.

First, what might you be writing about that would be lit up?  Can you think of a scene that would need some description around how well lit up it is?

Second, of course, let's consider a few variations on that simile.  What would you consider using as a simile to illustrate being lit up?  What does it do if you make it "lit up like a Parisian whorehouse on Saturday night?" Or what about "as dark as a whorehouse on Monday night?"  (er...when's the night off?)

Times Square at the stroke of midnight, Jan. 1?

like a four year old's face when Daddy comes home?

Go ahead, crank out a few similes about being well lit!  And then consider the effect they have on a scene.

If you like, go ahead and write the scene.

Or even the whole tale, if you have the time and the idea.
[identity profile] mbarker.livejournal.com
Original posting: Fri, 31 Aug 2001 21:00:00 -0400

A good simile is tinder for the mind, and a fine metaphor is like aloe for the heart.

Snicker.  With a bit of cross-dressing for the words, let's consider those fine comparisons.

The bonfire of the id, the lotion of the soul?

Go ahead and sketch some of those thoughts out on the blank page for us, eh?
[identity profile] mbarker.livejournal.com
original posting: Mon, 03 Sep 2001 20:43:00 -0400

Hum...

Maybe

Reading is like a snake peeling its skin.

Go ahead, play with that conceptual comparison, let those words writhe and turn, let us hear the rattle play.

"Good morning, daddy!
Ain't you heard
The boogie-woogie rumble
Of a dream deferred?"  Langston Hughes

a dream deferred... and out of its time... tink
[identity profile] mbarker.livejournal.com
original posting: Thu, 06 Sep 2001 20:43:00 -0400

Okay, here's the simile -- what's the comparison?

xxxx is like an ocean.  The surface waves and sprays, while the deeps run silent and strong.

What do you think is like that?  What would you compare to an ocean, with that frothy top, and the deep silence?

(a fish?  how did that get in there?  oh, it's part of the package?)

write!

"Good morning, daddy!
Ain't you heard
The boogie-woogie rumble
Of a dream deferred?"  Langston Hughes

a dream deferred... and out of its time... tink

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