mbarker: (Fireworks Delight)
[personal profile] mbarker
 Original Posting July 8, 2018

Writer's Digest, June 1990, has a short article on pages 30 and 31 by Dick Belsky, talking about advice to writers. Here's the subtitle. "Traditional advice from professional writers should be considered – not followed blindly. Because ultimately, the best advice for you comes from within you."

Dick points out that writing doesn't come with blueprints or instruction booklets. You need to listen to advice from people who have already done it, but you also need to be prepared to ignore well-meaning but inappropriate guidance. Do what's right for you. He gives a number of examples of advice that he has collected and discarded on his way to selling three novels.

"Find a quiet environment to write in." A lot of people recommend that. However, Dick discovered that he likes a little bit of activity. A busy library, Dairy Queen or McDonald's, that's the environment where he writes!

"Write a set amount of words each day – say 10 pages worth – and stick to that regimen." But… What if you get excited and want to write 20? Or what if you only write five and you're beat. Yes, writing every day is a good habit, but… Dick recommends Raymond Chandler's approach. Set aside a four hour period every day, where you sit at your writing desk. You don't have to write, you can just sit there, but don't do anything else positive.

"A book takes a long time to write – take your time." Well... Dick wrote his last novel in three months, while working full-time on another job. Stephen King talks about writing a book during Christmas week vacation. If you have a reasonably good idea of what you want to say, go ahead and say it. You don't need to procrastinate!

"Plot out your novel before you write it." The great debate, pantsers (aka Discovery writers) versus plotters. Dick says he has never done an outline. He usually has a good idea where he's going to start, and what he wants the last line to be. Just the last line. He writes that last line down, and occasionally looks at it. But that's as much as he uses.

"Work on more than one project at a time so you can go back and forth if you get stuck." Here, too, Dick takes a different approach. When he's writing a book, the character, the plot, the mood, the dialogue, the scenes take up all of his attention. There's no room for a second project.

"Your title is very important – spend a lot of time on it." Well, Dick has had working titles, things he has played around with, and often just kind of slaps a title on at the last minute. Then people tell him he has a great title! Well...

Now there is one piece of classic advice that Dick strongly recommends you follow. "Don't give up." As Dick reminds us, just about every great writer has been rejected. Sometimes many times. For yourself together and try again. Dick's first novel was turned down by more than 20 publishers. Then, when it was published, it got rave reviews.

Dick finished his column with two short sentences. "Forget about all this advice I've given you. Just do what's best for you."

Sounds like good advice to me.
mbarker: (ISeeYou2)
[personal profile] mbarker
 Original posting July 5, 2018

Interesting. Howard Tayler, in a tweet over here

https://twitter.com/howardtayler/status/1013927731665387521

Argues that ideas are easy, plentiful, and that turning the ides into something that makes people recognize the ideas -- that's the hard part. Which reminded me of the old quote about genius being one percent inspiration and 99 percent perspiration.

But then Rachel Gutin responded

https://twitter.com/Rachel_Gutin/status/1013961561772314624

pointing out that kids get really stuck and have to learn how to identify ideas they can write about.

I think the question is at least in part where you have difficulty. Some people have an apparently endless fountain of ideas, but sitting down and grunting through the work to turn any one of those ideas into an actual story... hah! Other people get stuck at the early part, worrying and fretting, looking for a perfect idea, and then find the mechanics of grinding out the story to be fairly straightforward.

It's almost a reflection of the arguments between outliners and discovery writers. To outline before writing, or to write and in the writing, find an outline? Which way do you go?

Anyway, I thought I would ask. Do you find yourself having more trouble getting ideas to write from, or working through the writing? Where do you get stuck? Would more bits and pieces about getting ideas, about how to get stuff from the well of creativity, be more attractive, or do you like the technical stuff?

What do you think?
[identity profile] mbarker.livejournal.com
Original posting 4 Dec 2009

Writers' Digest, October 2004, pages 26 to 33, has a collection of short "nuggets of wisdom" related to getting published. Maria Schneider is the author of the compilation. Take a deep breath, and here we go:

"While waiting for a response, one of the best ways to relieve the anxiety is to dive into your next book. Not only does it take your mind off the wait, but it also prepares you for the possibility that the editor will want to buy your next book, too." Robin Gee

This is especially important given the kinds of response times for the publishing industry. It takes a while for your story or novel to move through the slush pile to get read, and if it doesn't get an automatic first rejection, well, you're probably looking at even longer. So don't expect instant responses. And while you're waiting -- keep writing!

Another trick here is that having one golden egg out there being looked at makes it more painful when there are rejections or even comments. Having several pieces making the rounds reduces that anxiety, and provides you with some alternatives when an editor says "I liked this piece, but it wasn't quite what I was looking for." Now you've got something to send them while they still have a chance of remembering who you are.

So... write, submit, and keep submitting. And while you're waiting -- write some more!

Just a story every week makes the editors go round, editors go round, editors go round... well, okay, it isn't great verse or even a spoonful of sugar, but...

Write, okay?
[identity profile] mbarker.livejournal.com
original posting 26 September 2009

Writers' Digest, October 2004, pages 26 to 33, has a collection of short "nuggets of wisdom" related to getting published. Maria Schneider is the author of the compilation. Take a deep breath, and here we go:
"Think about the fact that well-known authors become well-known by starting out, sending their work as new writers to publications with well-known authors. Everyone has to start somewhere. Also, even the best writers don't always create the best work -- they usually just keep at it longer and more consistently." Naomi Horii
Interesting point. Even well-known authors started out as new authors once upon a time. And as for consistency... some of the long-term authors have certainly had their ups and downs. I certainly think there are some authors whose later books needed editing.

And even in writing, there's a certain macabre truth in that notion that artists are often worth more after they are dead. The same work that wasn't worth all that much when the artist (or writer) is alive often jumps dramatically in value when there will be no more work from that brush, pen, or typewriter.

But... everyone has to start somewhere. And persistence is the name of the game, because it isn't likely to be a quick trip to the top.

So why wait? Write now, write repeatedly, and keep on writing.

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