[identity profile] mbarker.livejournal.com
Original Posting Nov. 6, 2016

Over in the book Steal This Plot by William and June Noble, they suggest a set of

Plot motivators

Vengeance
Catastrophe
Love and hate
The chase
Grief and loss
Rebellion
Betrayal
Persecution
Self-sacrifice
Survival (deliverance)
Rivalry
Discovery (quest)
Ambition

Take a story idea, add a motivator, and more than likely, you've got at least the nucleus of a plot. It will need filling in, with characters, setting, and all that, but... these are good places to start your brainstorming.

Story spicers

Deception
Material well-being (increase or loss)
Authority
Making amends
Conspiracy
Rescue
Mistaken identity
Unnatural affection
Criminal action (includes murder)
Suspicion
Suicide
Searching
Honor and dishonor

So along the way, you may need to add in some seasoning to help things along. That's the role of the story spicers. Again, consider this as a list to help kick your brainstorming. This scene needs a bit more oomph. What if I added dose of suspicion, or authority, or... there you go, that adds a dash of spice!

So, for the fun of it, consider mixing in a little motivator and a bit of spice. And keep those nanowrimo words boiling!

tink
[identity profile] mbarker.livejournal.com
Original Posting 25 Nov 2011

What? The last note was on the 13th? And today is the 25th? ARGH!

Hey, all. I've been sick. Believe it or not, I've had a cold, which for a while just meant arguing with the dictation software about whether sneezes really meant I wanted a line of "him" across the page (does a sneeze really sound like "him"? Oh, well...). Then I lost my voice!

Which may not sound like much of a problem, but if you quit typing to save your fingers, and have been using dictation software -- a whisper doesn't cut it. So I went back to the keyboard for a while. Even though it does hurt, some.

Anyway, I'm recovering, and still meeting and beating Nanowrimo into shape! So...

Let's see. Old bits and pieces...

ARCS! Attention, Relevance, Confidence, and Satisfaction. Or as I teach my students sometimes, surprise! WIIFM (What's in it for me?), Yes, you can!, and last but not least, rewards, smiles, and other treats. That's one theory of motivation, and you can pay attention to those in your writing, too. Twists and other surprises keep the reader on their toes. Getting them engaged makes it relevant. Being fair to the reader raises their confidence. And oh, do those climaxes satisfy us. Emotional rewards galore!

Bradbury's formula!  "Find a character, like yourself, who will want something or not want something, with all his heart. Give him running orders. Shoot him off. Then follow as fast as you can...." And don't forget the zest and gusto, too!

OCEAN? What's a character? Well, openness -- desire for change (or not!). Conscientiousness -- planner or not? Extravert or introvert? Agreeableness? How many friends do they have? And neuroticism, that emotional edge? Right! Make them personalties, with some warts, and see what happens.

Bradbury again? Yeah... "You must stay drunk on writing so reality cannot destroy you."

Go with the flow! Writing as a burst, a torrent of words flooding out. That's nanowrimo all over!

One more Bradbury notion? Aha, yes, the lists, the lists. Bradbury adored his lists, and so can you! Stop now and then, make a list of colors, of senses afire, actions, clues or whatever... and then expand on those, tell us all about them, and watch your words roll!

Ah, the metaphoric dance of the words! Yes, your neurons and mine enjoy connecting things up, so pick a number from one to seven (what, your die doesn't go that high? Okay, roll once. Odd is zero, even is one. Now roll again, and add whatever you get to your first roll. One to seven, with a bit of weight for the middle. Okay... where were we before I got distracted. Right! Pick your number and...)

Here's what you have chosen (behind door number 1, we have . . . ):

    1. Taking a bath
    2. Frying potatoes
    3. Boiling an egg
    4. Sending a letter (you remember, those funny paper things that preceded email?)
    5. Untangling a ball of string
    6. Learning to swim
    7. Starting a car in cold weather

Now, let your mind slide. That problem, that process, the incident in your story? How would you explain it in terms of this metaphor? What relates? What doesn't relate? What if...

There you go, a metaphorical fling for the fancy!

Oh, my. Then I threw in the business metaphors? I really wanted you to scramble those metaphors, fry some words, and get cooking, didn't I? Let's see, journeys, games, war, machines, organisms, social groups, family, jungle, and the zoo. Pick a style, narrow it down a bit and pick an example, then let the correlations begin!

Filling out characters? Right! Onions have layers, ogres have layers, and even secondary characters deserve a layer or two. Goals, motivations, conflicts, some change... make those characters stand out for us!

And today's old Nanowrimo posting? All about filling in the actions. Instead of just doing a scene change to put your favorite character at the next place where they get their lumps, consider filling in all the steps of getting there. And of course, in the scene, instead of just gliding over the action with summaries, go through the actions. How does the hero fry a hamburger, anyway? With a twist of garlic? And a dash of vinegar? Huh...

These nanowrimo notes are available at length somewhere over here http://writercises.livejournal.com/?skip=30&tag=nanowrimo along with many more!

But the key right now is ... I hope you are enjoying your Thanksgiving, Black Friday, and whatever, and getting ready to slam through the finish line on Nanowrimo, coming up next week! Scribble, tap, yackity-yack!
[identity profile] mbarker.livejournal.com
Original posting 26 Nov 2010

Your stuffing comes true? Anyway... Hope you all are enjoying Thanksgiving if you celebrate that, Black Friday if you prefer raw consumerism, or just lazing your way into the end of November. Whichever, as we approach the end of nanowrimo, here's a few more words about things that might help you grinding out the stories.

http://community.livejournal.com/writercises/147701.html talks about goals, motivations, conflicts -- the GMC that drives characters, which of course, are at the heart of every story. First, consider various possible categories of goals, such as artistic, attitudes, career, education, family, financial, physical, and even public service. What kind of change or achievement does your character want? When? Why? What makes them desire this, what do they think are the benefits or pay off that they are working toward?

Next, how do they plan to get there? What are all little steps along the way? What are the obstacles or competition? Why can't they just this do it now? What happens if they don't succeed?

And then there's the notion of SMART goals. Specific, measurable, attainable, relevant, and time bound. Realistic goals that can be achieved.

Lay out those goals. Figure out what drives the characters to achieve them. And then, put obstacles in their path. The story of how your character does in the cross-plot run to achieve their goal, that shining lamp just over the horizon... hey, that's what you want to write, isn't it?

Okay? Just...
WRITE!
[identity profile] mbarker.livejournal.com
Original posting 31 October 2008

[General Motors Car? What?]

A few days ago, someone on another list mentioned being a pantser. Since I hadn't heard the term in a while, I went ahead and looked up "plotter pantser" on Google. Plotters are the people who pre-plan their work -- outlines and so forth. Pantsers write by the seat-of-their-pants. Not that everyone buys these, nor does everyone fit completely into one or the other side, but generally, there are those who work it out largely in abstract form ahead of time and then write almost mechanically and those who are improvising as they write, boldly forging ahead.

But I don't really want to get into the discussion about which approach is better. Plotters and pantsers have pros and cons, and most of us will try both roads at different times and find out which one seems to work best for us. However, in the various links, I glanced at this one http://www.hodrw.com/ppii.htm and happened to get caught on an acronym. GMC charts? What are they talking about?

A bit of poking around revealed that Goals, Motivations, and Conflicts have been reduced to an acronym. Where is the character headed? Why do they want to get there? And what problems crop up to block them from just doing it?

So, for the nanowrimowers, let me suggest -- even while grinding out the daily quota, take time to think about your characters. What are their GMCs? Then bang them into each other, and let the words flow.

[counting down to November . . .]
[identity profile] mbarker.livejournal.com
[General Motors Car? What?]

A few days ago, someone on another list mentioned being a pantser. Since I hadn't heard the term in a while, I went ahead and looked up "plotter pantser" on Google. Plotters are the people who pre-plan their work -- outlines and so forth. Pantsers write by the seat-of-their-pants. Not that everyone buys these, nor does everyone fit completely into one or the other side, but generally, there are those who work it out largely in abstract form ahead of time and then write almost mechanically and those who are improvising as they write, boldly forging ahead.

But I don't really want to get into the discussion about which approach is better. Plotters and pantsers have pros and cons, and most of us will try both roads at different times and find out which one seems to work best for us. However, in the various links, I glanced at this one http://www.hodrw.com/ppii.htm and happened to get caught on an acronym. GMC charts? What are they talking about?

A bit of poking around revealed that Goals, Motivations, and Conflicts have been reduced to an acronym. Where is the character headed? Why do they want to get there? And what problems crop up to block them from just doing it?

So, for the nanowrimowers, let me suggest -- even while grinding out the daily quota, take time to think about your characters. What are their GMCs? Then bang them into each other, and let the words flow.

tink
[counting down to November . . .]

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