[identity profile] mbarker.livejournal.com
Original posting 26 January 2009

Resonating Endings

Writers Digest, December 2005, Fiction Essentials column by James Scott Bell has the title, "Leave Them with Hope." He's focusing on how to make the finish memorable, something that resonates with your readers. He admits to writing a good conclusion is hard, but also crucial. Endings need to tie up loose threads, answer this significant story questions, and be satisfying.

"The best endings do something more than give closure. They leave us with resonance. They produce the right emotional notes on that final page. Just as a patron of a great symphony says, 'Ah!' when a musical piece is over, a reader will do the same with a memorable finale."

So how do you create resonance? One of the best, time-honored ways is with a hopeful conclusion, an optimistic finish. To create that kind of an ending, try this:
  • dig into your character's inner thoughts. Write down what your character is thinking as the story climaxes. Get that inner monologue in his or her own words.
  • then feel your character's emotions. What are they feeling at this point?
  • write at least two pages of potential ending material. Then revise it down to a few key paragraphs that are the perfect ending.
  • read your final paragraphs out loud, listening to how they sound
You'll probably end up with a kind of lyrical ending. This only works if it feels organic, and fits the work. So what do you do if you want simple imagery instead? Try this:
  • summarize the key relationships of your characters. Which is the most important one to your lead character? Why is this the most important one? And how has your character's life and his relationship changed for the better?
  • list several images that convey a feeling of the relationship. Symbol, action, place -- whatever fits for you. Now pick the one that creates the best emotion.
  • write up several potential endings using this image. Freewrite about it. Then condense your work. Show off the image.
  • go back into the book and foreshadow and plant the image. Connect the characters to it emotionally.
You want your conclusion to impress your readers. Make it a hopeful one, that satisfies your readers. And listen for the "Ah!"

Okay. Next step, what kind of an exercise could you use? Well, the obvious thing is to take your work in progress and try the steps to create a lyrical ending, or an image-filled one. Go ahead, give it a try.

Another tactic would be to take a couple of novels that you really liked, and look hard at how they end. What did the writer do for an ending? Does it fit Bell's model? Can you imagine going through the process that Bell describes and creating such an ending?

'saright? See if you can make your ending resonate.

(doing the minuet waltz?)
[identity profile] mbarker.livejournal.com
Original posting 16 September 2008

[oops -- forgot to send this over the weekend. Sometimes . . . ]

Chapter 21: the Final Scene

Here we are again, taking a look at Make a Scene by Jordan Rosenfeld. Deep in Part Three about scene types, we've seen the first scene, suspense scenes, dramatic scenes, contemplative scenes, dialogue scenes, action scenes, flashback scenes, epiphany scenes, climactic scenes and now it's time for . . . the final scene.

Note that this is after the climax. These are the ends of the story -- the conclusion of the significant situation, the wrapup to the events that opened the first scene, etc. Fairly often final scenes also are beginnings of something new, leaving the situation open for a sequel. Most final scenes:
  • summarize how the protagonist feels after the conclusion of the plot
  • are reflective in tone
  • remind the reader of the significant situation
  • are often slower paced
Fairly often there's one last surprise, answer or insight, but you don't have to do that. It is the end of the narrative, but you want to let your characters and settings live on, so you may want to make sure you have a memorable ending.

Before the final final scene, there sometimes are some final scenes wrapping everything up. This is where you can supply answers to all the outstanding questions. The real true final scene then focuses on showing the reader what the significant situation has done to the protagonist, how he has changed and what he feels now.

The final final scene shows character transformation. Whatever it is that has changed, outlook, lifestyle, relationships, self-image -- the final final scene needs to show that. It's also important that the story be finished -- whatever the complications were, this is where they have unrolled. Revealing whodunit, saying they lived happily ever after, there are different kinds of conclusions in different genres, but you need to finish it off. Let your protagonist grapple with the consequences of the significant situation.

Opening the final final scene. Counterpoints -- reflecting the first scene, while showing how the character has changed -- are an effective way to open the final scene. Another common technique is reflective exposition. Interior monologue and exposition can set up the mood, emotions, and theme for the finale.

The final scene usually is slow-paced, with small actions, quieter, reflecting the character settling their inner life. Details, metaphors, and so on are often pieces of final scenes.

In the final final scene -- final sentences. The last two or three sentences, and especially the very last sentence, are likely to have a strong affect on your readers. You want them to have an emotional flavor, and some of the feeling of the entire novel. Sometimes there's a final action -- usually a symbolic action or gesture. Sometimes there are final reflections or thoughts, even protagonist or narrator summing it up. And then there are final images. These trigger emotional responses, and need to be carefully chosen. Think symbol and metaphor, make a list of possible images, and then craft one that really resonates with your protagonist's journey.

Rosenfeld's checklist for final scenes:
  1. Is the final scene a snapshot of the protagonist following the consequences of the significant situation?
  2. Does the final scene reveal how the protagonist has changed?
  3. Is the pace slower and is the scene reflective?
  4. Is there too much action for a final scene?
Enough of Rosenfeld. What do you think? Some stories quite happily have the final showdown, then just ring down the curtain and end. However, there often is just a dab more -- the cleaning crew behind the scenes, someone rolling up the red carpet, and so forth. These are often slightly humorous, relaxing sorts of scenes, with the bad guys being rolled off to jail in the paddywagon, and the good guys joking about what just happened. And the guy finally makes a move with the girl. Or . . .

Do you like these wrapup scenes? Can you think of one that really stuck in your memory? Why? What made it memorable?

Then, of course, one might consider the stories you are writing. What kind of final final scenes do they need? Is there life after the climax? Can you reassure the reader that they lived happily ever after? Or do you need to say "Watch out for what's coming next?" Whatever, what is the right way to finish off your story? What needs to be there as a final wrapup?

Go ahead. Put together a final scene (or scenes) and tidy up the bits and pieces.

Write!

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