The Place For My Writers Notes

Original posting 12 July 2008

Someone had suggested the title "The Oracle's Dilemma" and I was contemplating what one might do with that. This is some of the thoughts.

The Oracle's Dilemma

Nowhere near a story yet, but let's consider a little bit. Off the top of my head, I remember

1. Cassandra who told the truth about what was coming, but was never believed
2. The tradition of oracles who give predictions in riddles, that are not figured out in time
3. Must oracles always tell the truth? If one could lie, why might they do so? To protect themselves or others from what would happen if they told the truth? What about the problem of small tragedies versus large tragedies? If the Oracle told the person asking the truth, they would be saved but many others would die, should the Oracle lie?
4. There's the short story by Heinlein, with a gentleman who has a method of measuring when individuals will die. Among the problems he runs into is how to convince people, what to do about someone whose death is near, and the reaction from insurance companies who have a vested interest in people not knowing when they will die.
5. Thinking about the person who gets the oracle's prediction, they have to decide whether they believe the prediction, and may run into what is recommended by the song, "Live like You Were Dying," by Tim McGraw. The point they raise is that knowing that we may die soon sometimes acts as a call to action, so that we express ourselves, try things, etc. "like tomorrow was a gift and you got eternity you think about . . . "
6. Dilemmas? I've got a few . . . if we need to, we can google dilemmas and get a list from the net.

Okay? So there's a little bit of thought about what might be in The Oracle's Dilemma.

How about taking a wander over here (http://storytoolz.com/generator/conflict ) and see what random conflicts it coughs up. I got murderous adultery, adventure, rivalry, metamorphosis, and enmity of kinsmen. To these relate to a dilemma for an Oracle? Well, from the Oracle's side, how do you answer the jealous spouse whose wife really has been cheating? Encouraging murder doesn't seem like a good policy, but neither is letting the situation slide? Adventure? Always fun, but . . . set that aside for a moment. Rivalry? If we have rivals asking the Oracle for help, does the Oracle take sides? Or pose a task for them to solve that will help resolve their rivalry? Metamorphosis. An obvious point for a Oracle to have trouble with is when the visions start to fail. There's the initial point when the visions start and all of the disbelief and hoopla associated with that, but what does an Oracle do when everyone expects guidance and there is less and less to give? Enmity of kinsmen? Those feuding clans, eh, and what does an oracle bring to that battlefield? Can the oracle find a pair of youngsters to heal the breach, and guide the whole thing to success instead of tragedy?

Or perhaps the story idea generator? http://storytoolz.com/generator/idea gives me [wo]man vs. the environment, maturation, and the necessity of sacrificing loved ones. Hum? So we're going to see some concern about humanity versus the environment (global warming, anyone?), growing up, and sacrificing loved ones. Might want to poke a bit at who is going to be sacrificed, and how do the predictions of the Oracle influence that? Or even the notion that part of what growing up means is to take charge of our own life, to stop accepting direction from the Oracles in our life, and to be responsible for our own actions. What about the old culture that required a human sacrifice to appease the volcano or some other environmental threat? The priests -- the oracles of that culture -- would tell everyone that failing to make the appropriate sacrifice meant disaster. The dilemma, for the sacrifice, the sacrifice's friends and family, and even for the run-of-the-mill member of the society is whether to believe or not.

I'm running out of time, so let's consider some random quotations from http://www.quotationspage.com/random.php3 and then let the whole mix stew for abit.

"The only real prison is fear, and the only real freedom is freedom from fear." Aung San Suu Kyi

"A child becomes an adult when he realizes that he has a right not only to be right but also to be wrong." Thomas Szasz (hum, wasn't there a growing up or maturation theme somewhere up there?)

"The heart has its reasons which reason knows nothing of." Blaise Pascal

"Work and struggle and never accept an evil that you can change." Andre Gide

"Our lives improve only when we take chances -- and the first and most difficult risk we can take is to be honest with ourselves." Walter Anderson

"What does it matter how one comes by the truth so long as one pounces upon it and lives by it?" Henry Miller

Which for some reason reminded me that there are people who try to live their life by the fortunes given in various formats. Could those guidances be a dilemma? What does someone do who expects the newspaper (or other) fortune to enlighten them when the newspaper fails?

Enough for now. The Oracle's Dilemma? What do you think about this little title tossed into the arena? Are your lions ripping at it? Or at least the puppies growling and sniffing around the edges?

The thrill of creative effort grows from the mud of spelling and grammar.

original posting: Wed, 30 Aug 2000 20:23:00 -0400


Yes!  You saw it here first, and thought about that stone coffin, often decorated with carvings, and pondered and pandered and saw that the title was right...


and then you wrote it, you honed it, you polished it fine, and sent it to the list, where we all did divine...


It was just a concrete boat between friends, but they called it The Sarcophagus of Love?

Go ahead.  Put the thoughts together and tell us about the sarcophagus of love.

Write!

Original Posting: Thu, 17 Jan 2002 21:35:00 -0500


There you go.  Poem, essay, story, do with it what you will.  Use it as a title, a first line, a thematic rebound throughout your tale, or even as just a place to start, that never even appears in your work.

But write, write, write while the muse is calling!


Pick a cloud, any cloud.  Enjoy the laugh (belly, chuckle, or whatever laughter you propose).  And answer the question, do clouds laugh?

original posting: Sat, 27 Apr 2002 23:12:21 -0400

Okay, let's see...


There's a title.  Your job, should you choose to take it on, is to put a writing under it.  Prosody, versical, you're the writer.

Go ahead, you know you want to write something there.

original posting: Tue, 09 Jul 2002 22:12:55 -0400

Okay, here's the phrase:


(hum... where dreams take flight?  where dreams can stand?  No, let's stick with begin...)

Now, your task, should you choose to take it, is to let the brain stew (no, not wash, stew!) around that phrase.  Whose dreams?  What prompts them?  Why do they begin there? For that matter, where is there?  Conflict?  Stakes?  Characters?  all the rest of the story telling bits and pieces (a MYTH?  here in our very backyard?  well, don't scare it away, offer it some cool water and shade, maybe it will stick around.)

Okay?  Now pick out some fine spoonfuls of that stew, and let us feast!

In other words, very simply, write a (tale, poetry, whatever you likery) somewhere around the phrase:


You may use it as a title, theme, initial starting point, whatever makes your words dance.

Just write!