mbarker: (Fireworks Delight)
[personal profile] mbarker
Original Posting 2021/3/5
Writer's Digest, April 1991, p. 40-42, had an article by Richard Hunt talking about how to avoid formula writing. This is where the twists are ones you've seen before, or maybe you're writing just like somebody else. Overuse, imitation, it just doesn't make the readers keep reading.

The basic strategy – don't take the easy way out. Avoid easy endings, well-worn phrases, and other trite repetitions. Now, how does formula writing sneak up on you? Well, Richard Hunt suggests three ways that it often weakens manuscripts. Imitating the style of an established writer, too many descriptive passages, and those stock scenes that we've seen so many times before.

Now, a good way for beginning writers to understand pacing, plotting, and other techniques is to mimic a famous author. But, you need to find your own voice, your own rhythm, your own style.

Now, descriptions sometimes choke out the other parts of the story. Kind of like kudzu! Pick your details, and clear out the kudzu in revision. By the way, be careful of adjectives.

Finally, make sure every scene has a purpose. Avoid stock scenes. Make sure each scene is interesting, and gives the readers some new territory to cover.

So, you can change the threat of formulas into original work. Twist the ending, mix in odd pieces, borrow from other genres, boost that ordinary uninspired story into the stratosphere.

Go ahead! Take something you've written, or are writing, and see if formula writing has crept into your work. Then try Richard's ideas. Work on your style, clear out the extra descriptions, and make sure that your scenes are all working for you!
[identity profile] mbarker.livejournal.com
Original Posting March 3, 2016

Writer's Digest, April 2001, p. 35, 36, and 62, had an article by Joe Cardillo with the title, "3 Ways to Keep Your Readers Hooked." Basically, Joe is pointing us at an approach to keeping a reader's attention, similar to training a puppy! That's right. Three steps: arouse interest, delay (tease), and reward. Simple, right?

So, how do you arouse interest? Give details that make the reader ask questions. Bait! But then delay. Don't give it to them right away. Get them turning pages, give them a chance to try to guess what the answers are. And, when you do get around to answering -- set those hooks again! More details, more question, keep them coming.

Flashbacks make a fine delay, incidentally.

And the reward! Reveal the secret, open the box, show us what is going on.

So, the strategy is simple. Arouse the reader's attention, maybe with a glimpse of what's coming. Then delay, tell us about the history, setting, and whatever. And... satisfaction! We got the reward. But there's more waiting just around the corner, over the edge of the cliff...

Practice? Heck, just take a few characters and a scene, and consider how to get us hooked into wondering what is going on. Then describe the background and whatever else you want. And... reveal the secret and reward us.

Three steps to attention!
Write!
tink
[identity profile] mbarker.livejournal.com
Original posting 10 May 2009

Writers' Digest, October 2004, pages 26 to 33, has a collection of short "nuggets of wisdom" related to getting published. Maria Schneider is the author of the compilation. Take a deep breath, and here we go:
"Stay in touch with the first impulses that made you start writing -- the pleasure of it and the interest of the story, and not so much the professional side of things. Remain close to that -- when you began writing and were intoxicated with it. If you do, the rest will come, as difficult as that may be." Jeffrey Eugenides
What makes you excited about writing? What makes you want to sit down and bash out a bunch of words? There's the craft and professional side of things, but there's also the fire, the thrill, the push. Flame wars... yes, they're bad. But at the same time, there's something there that makes you keep on pushing at it. Watch for those points of irritation, those excitement spots that make you want to rush into words -- and do something about them!

Write!

Come on, baby, light my fire...

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