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Original Posting Aug. 26, 2015
Writer's Digest, October 2002, pages 20-21 and 47, have an article by Geoff Fuller and Pamelyn Casto with the title Make Your Fiction Flash. It's all about turning personal anecdotes into riveting short stories. I already posted the sidebar a little while ago under the title TECH: Creativity Starter (A Moldy Oldie!) (you can find it over here http://writercises.livejournal.com/359555.html) Now, let's take a look at what they suggest.
First, they point out that people tell stories -- anecdotes, gossip, and so forth everywhere! The problem is turning those little snippets into good flash fiction. A short short story of 100 to 2000 words.
So what's the problem? Well, if you write down those bits and pieces, they usually aren't complete stories. They're anecdotes, journal entries, just not finished. Good flash fiction is short, but it's also interesting to readers who are strangers.
So, first step. Extend the boundaries. Both of the story and frequently of the readers. You want your readers to be involved in the story, to be thinking about it.
"Good flash fiction gives us stories that are set apart from the everyday fare to which we're accustomed. Readers want something extra that takes them out of the ordinariness and into the realm of meaningful fiction."
1. Put your "I" out. Experience is rich, but watch out for first-person narrative traps. Remember, we're not just looking for a personal anecdote, but for a larger expansive story. Start by changing "I" to third person. You don't have to tell it the way it really happened. "Fiction doesn't require you to report facts." Look at the situation again, and see what the right number of characters, the real conflict, the focus, the issue, the stakes really are. Turn your particular story into a universal story.
2. Don't tell all. Create mystery by leaving things ambiguous and unanswered. Try leaving motivations unstated, the setting less clear, and look for moments when the conflict could go either way. Don't be unclear -- you don't want to simply baffle readers. But giving them the fun of figuring out the puzzle?
3. Find the Aha moment. Mystery almost always has an aha. Anecdotes need dramatic epiphanies, a sudden understanding of the larger issue, the stakes, the characters. Readers need to discover that things are not what they thought they were. Now, it could be the character, the character and the reader, or only the reader who has the epiphany.
4. Take up literary shorthand. Use myths, fairy tales, and all the other literature to provide elements that you can use in your stories. Characters from established literature, or perhaps patterns or plots.
Mix it up. Use one or more of these techniques, and make your flash fiction something that the reader really enjoys.
There you go. That gossip at the backyard barbecue, the story everyone is laughing about at the swimming pool, whatever you like. Take that story, and make it FLASH!
Writer's Digest, October 2002, pages 20-21 and 47, have an article by Geoff Fuller and Pamelyn Casto with the title Make Your Fiction Flash. It's all about turning personal anecdotes into riveting short stories. I already posted the sidebar a little while ago under the title TECH: Creativity Starter (A Moldy Oldie!) (you can find it over here http://writercises.livejournal.com/359555.html) Now, let's take a look at what they suggest.
First, they point out that people tell stories -- anecdotes, gossip, and so forth everywhere! The problem is turning those little snippets into good flash fiction. A short short story of 100 to 2000 words.
So what's the problem? Well, if you write down those bits and pieces, they usually aren't complete stories. They're anecdotes, journal entries, just not finished. Good flash fiction is short, but it's also interesting to readers who are strangers.
So, first step. Extend the boundaries. Both of the story and frequently of the readers. You want your readers to be involved in the story, to be thinking about it.
"Good flash fiction gives us stories that are set apart from the everyday fare to which we're accustomed. Readers want something extra that takes them out of the ordinariness and into the realm of meaningful fiction."
1. Put your "I" out. Experience is rich, but watch out for first-person narrative traps. Remember, we're not just looking for a personal anecdote, but for a larger expansive story. Start by changing "I" to third person. You don't have to tell it the way it really happened. "Fiction doesn't require you to report facts." Look at the situation again, and see what the right number of characters, the real conflict, the focus, the issue, the stakes really are. Turn your particular story into a universal story.
2. Don't tell all. Create mystery by leaving things ambiguous and unanswered. Try leaving motivations unstated, the setting less clear, and look for moments when the conflict could go either way. Don't be unclear -- you don't want to simply baffle readers. But giving them the fun of figuring out the puzzle?
3. Find the Aha moment. Mystery almost always has an aha. Anecdotes need dramatic epiphanies, a sudden understanding of the larger issue, the stakes, the characters. Readers need to discover that things are not what they thought they were. Now, it could be the character, the character and the reader, or only the reader who has the epiphany.
4. Take up literary shorthand. Use myths, fairy tales, and all the other literature to provide elements that you can use in your stories. Characters from established literature, or perhaps patterns or plots.
Mix it up. Use one or more of these techniques, and make your flash fiction something that the reader really enjoys.
There you go. That gossip at the backyard barbecue, the story everyone is laughing about at the swimming pool, whatever you like. Take that story, and make it FLASH!