TECH: Make your story sweat?
Aug. 15th, 2012 09:02 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
Original Posting 21 June 2012
Writer's Digest, March 1994, pages 29 to 31, have an article by William M. Ross with the title "Make Your Story an Experience." The subtitle indicates "The best fiction writing involves readers emotionally in the story, so they sweat when the characters sweat and cry when they cry."
The beginning of his article suggests that "... A good story is immediate and alive. It quivers, breaths, sweats." Then he says that a sweating story depends on how you render the plot and characters -- how you make them concrete and specific so they create an emotional experience for the reader. Then he suggests several techniques that you can use.
1. Combine the physical and emotional
Descriptions often are given either in emotional or physical terms. However, William suggests that integrating physical and emotional words and descriptive details makes a stronger impression. How do you do that? Start by deciding the emotional impression you want to make, then think about physical details to fit that impression, and then combine the two.
2. Paint a picture
The Impressionists tried to show the essence, how something feels, not just how it looks. In the same way, writers can use striking metaphors to capture the sense of things. "Metaphors toss literal description to the wins; their sole purpose is to conjure up images." From Raymond Chandler, "As inconspicuous as a tarantula on a slice of angel food." Look for similar evocative comparisons and apt metaphors.
3. Make your characters sweat
This is kind of a variation on number one, but the point is that our emotions and our feelings usually have physical effects. Instead of having your character be nervous, describe the sweat on his forehead, the way he's breathing, and other physical responses.
4. Write for all the senses
All too often, we describe what something looks like and stop there. Go on and use the other four senses to give your writing more depth. Sounds and smells, at the very least, can make that setting or that person much more realistic.
5. Write with rhythm
You don't have to be a songwriter or public, which you can use parallel phrasing and breaking the rhythmic format to emphasize things. Repeat a grammatical form -- a type of sentence, a series of questions, or even a single word. Then break the rhythm to emphasize a punchline. You can also use rhythm to capture the feelings of a character. Parallel phrases and repetition all adds up very quickly.
"You too can make your stories ring true, make readers feel the experiences your characters feel, care about what happens to them, and forget that they're characters. All you must do is make your story an experience."
Combine physical and emotional, use striking metaphors, let your characters respond physically, use multiple senses, and use the rhythm of language. Make the story come alive!
Writer's Digest, March 1994, pages 29 to 31, have an article by William M. Ross with the title "Make Your Story an Experience." The subtitle indicates "The best fiction writing involves readers emotionally in the story, so they sweat when the characters sweat and cry when they cry."
The beginning of his article suggests that "... A good story is immediate and alive. It quivers, breaths, sweats." Then he says that a sweating story depends on how you render the plot and characters -- how you make them concrete and specific so they create an emotional experience for the reader. Then he suggests several techniques that you can use.
1. Combine the physical and emotional
Descriptions often are given either in emotional or physical terms. However, William suggests that integrating physical and emotional words and descriptive details makes a stronger impression. How do you do that? Start by deciding the emotional impression you want to make, then think about physical details to fit that impression, and then combine the two.
2. Paint a picture
The Impressionists tried to show the essence, how something feels, not just how it looks. In the same way, writers can use striking metaphors to capture the sense of things. "Metaphors toss literal description to the wins; their sole purpose is to conjure up images." From Raymond Chandler, "As inconspicuous as a tarantula on a slice of angel food." Look for similar evocative comparisons and apt metaphors.
3. Make your characters sweat
This is kind of a variation on number one, but the point is that our emotions and our feelings usually have physical effects. Instead of having your character be nervous, describe the sweat on his forehead, the way he's breathing, and other physical responses.
4. Write for all the senses
All too often, we describe what something looks like and stop there. Go on and use the other four senses to give your writing more depth. Sounds and smells, at the very least, can make that setting or that person much more realistic.
5. Write with rhythm
You don't have to be a songwriter or public, which you can use parallel phrasing and breaking the rhythmic format to emphasize things. Repeat a grammatical form -- a type of sentence, a series of questions, or even a single word. Then break the rhythm to emphasize a punchline. You can also use rhythm to capture the feelings of a character. Parallel phrases and repetition all adds up very quickly.
"You too can make your stories ring true, make readers feel the experiences your characters feel, care about what happens to them, and forget that they're characters. All you must do is make your story an experience."
Combine physical and emotional, use striking metaphors, let your characters respond physically, use multiple senses, and use the rhythm of language. Make the story come alive!