TECH: 101 Tips (36)
Jul. 21st, 2009 10:51 am![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
Original posting 16 July 2009
Writers' Digest, October 2004, pages 26 to 33, has a collection of short "nuggets of wisdom" related to getting published. Maria Schneider is the author of the compilation. Take a deep breath, and here we go:
Look at the different parts. How does the story balance in terms of action and reflection? Or was that action and dialogue? Plot vs. character? You got some setting in there for ballast?
Rotate the tires, check the pressure, a little lube, dipstick for the oil...
You get the picture. Run your own checkup and make sure that your little darling is ready for a spin.
Writers' Digest, October 2004, pages 26 to 33, has a collection of short "nuggets of wisdom" related to getting published. Maria Schneider is the author of the compilation. Take a deep breath, and here we go:
"Dive deeper into your manuscript. Break it down into components and analyze where it goes off track. Maybe the lead-in is too long, the buildup is unevenly paced or the payoff isn't satisfying. Dissect the story and examine how you can make each section as powerful as it can be." I. J. SchecterRevision by chopping and weighing? Sure, why not? After all, if we have five pages of lead-in, two pages of buildup, and a single flaming page of climax... perhaps it is a bit lacking in balance? Or consider the act one, two, three structure? How are you handling the incitement to action, the kick that gets the hero off their duff? And then walk across the room and out! What gets them going, what forces them through the first door of no return, what makes them decide to take on the bad guys? Complications and trials, the middle of the sandwich -- as the old ad has it, "Where's the beef?" Make it a dagwood! And then... what forces them into the second doorway of no return, the final commitment to stand and do or die, to fight the unbeatable...well, you know how that goes, right?
Look at the different parts. How does the story balance in terms of action and reflection? Or was that action and dialogue? Plot vs. character? You got some setting in there for ballast?
Rotate the tires, check the pressure, a little lube, dipstick for the oil...
You get the picture. Run your own checkup and make sure that your little darling is ready for a spin.