TECH: Getting Readers Hooked
Jan. 24th, 2009 03:34 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Original posting 26 February 2008
(I think the shrimp, or maybe those little red eggs. Worms work pretty good, too? Oh, you don't want fishy readers, you want them warm and comfy? Does that mean you won't be using the good lines?)
How do you get the reader to start reading? There are many recommendations to hook the reader, but what does that mean?
Nanny Kress, in a column entitled Your Opening Quest in Writer's Digest, Jan. 2005, pp. 20-22, talks about ways to create compelling openings. Ways to set that hook, to raise questions and suggest change is coming.
First, try out-of-the-ordinary. "The easiest way to raise a question in the reader's mind is by opening with an action that's clearly a change from the normal or expected." Start with action, and make sure:
So, take a look at a few stories that you really like, and see how they get started. Then try putting that same hook-and-jerk into the starting lines for one of your own stories. Polishing that beginning - once you get the reader going, they'll come along for the ride, but if you don't snag them at the start, they aren't likely to see the rest?
When we write, we learn about ourselves.
(I think the shrimp, or maybe those little red eggs. Worms work pretty good, too? Oh, you don't want fishy readers, you want them warm and comfy? Does that mean you won't be using the good lines?)
How do you get the reader to start reading? There are many recommendations to hook the reader, but what does that mean?
Nanny Kress, in a column entitled Your Opening Quest in Writer's Digest, Jan. 2005, pp. 20-22, talks about ways to create compelling openings. Ways to set that hook, to raise questions and suggest change is coming.
First, try out-of-the-ordinary. "The easiest way to raise a question in the reader's mind is by opening with an action that's clearly a change from the normal or expected." Start with action, and make sure:
1. The action suggests that a change has just occurred or is about to happen in the character's lifeSecond, hook the reader with provocative details about characters or setting that suggest change is upon us. Make sure the details:
2. The action makes the reader wonder why it is happening, what the character will do next, or what the consequences will be
1. Are very specificThird, try starting with a grand sweeping statement of universal truths or assumptions. This used to be popular, and it still grabs the attention and raises questions about the story to follow. Some suggestions if you want to try this:
2. Promise conflict to come
3. Indicate a change from the norm - something special - for this place and characters
4. Make readers try to figure out what's going on, and then keep reading to find out if they guessed right
1. A bit of humor helps, because modern readers are likely to see such grand statements as a bit pompous"Questions that require answers are what keep readers going -- and the place to start raising those questions is with your very first sentence."
2. Quickly get down to specifics and action.
3. Make sure the opening raises questions that will absorb the reader
So, take a look at a few stories that you really like, and see how they get started. Then try putting that same hook-and-jerk into the starting lines for one of your own stories. Polishing that beginning - once you get the reader going, they'll come along for the ride, but if you don't snag them at the start, they aren't likely to see the rest?
When we write, we learn about ourselves.